{"id":10087,"date":"2021-08-22T07:31:16","date_gmt":"2021-08-22T05:31:16","guid":{"rendered":"https:\/\/carnetpsy.fr\/anish-kapoor-leviathan-2\/"},"modified":"2021-10-03T14:50:01","modified_gmt":"2021-10-03T12:50:01","slug":"anish-kapoor-leviathan","status":"publish","type":"post","link":"http:\/\/cp.1642.studio\/gj118060-ovh\/anish-kapoor-leviathan\/","title":{"rendered":"Anish Kapoor. Leviathan"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Anish Kapoor.<\/strong> <em>Leviathan<\/em>. <strong><em>Monumenta<\/em> 2011, Grand Palais, du 11 mai au 23 juin 2011<\/strong><\/h2>\n\n\n\n<p>Si vous voulez faire une exp\u00e9rience extraordinaire, allez au Grand Palais voir l\u2019installation <em>L\u00e9viathan<\/em>. Il faut y aller, car aucune photo ne peut en rendre compte.<\/p>\n\n\n\n<p>Une fois entr\u00e9 dans l\u2019immense Nef, on vous fait franchir une petite porte tournante, et l\u00e0 vous changez de monde. O\u00f9 est-on ? Qu\u2019\u00e9prouve-t-on ? Englouti par des espaces qui semblent tendre vers l\u2019infini, suffoquant \u00e0 cause de l\u2019air pressuris\u00e9, \u00e9bloui par la couleur rouge sombre mi-transparente, aspir\u00e9 par ces tunnels qui semblent vous inviter \u00e0 aller \u2026 aller o\u00f9 ? Naissance, mort \u2026<\/p>\n\n\n\n<p>Cette quatri\u00e8me version de <em>Monumenta<\/em>, apr\u00e8s celles de Anselm Kiefer, de Richard Serra et de Christian Boltanski, toutes remarquables et compl\u00e8tement diff\u00e9rentes, montre que c\u2019\u00e9tait une id\u00e9e grandiose de confier \u00e0 de grands artistes ce b\u00e2timent afin qu\u2019ils y r\u00e9alisent une \u0153uvre. Anish Kapoor amplifie les dimensions d\u00e9j\u00e0 gigantesques du Grand Palais. Comme beaucoup d\u2019\u0153uvres contemporaines &#8211; c\u2019est m\u00eame une des caract\u00e9ristiques de l\u2019art d\u2019aujourd\u2019hui &#8211; l\u2019artiste ne nous met pas face \u00e0 un objet que nous regardons, mais il nous fait rentrer dedans. Nous fait-il franchir la barri\u00e8re, la \u00ab c\u00e9sure \u00bb de W. R. Bion, entre le pr\u00e9natal et le post-natal ? En entrant dans les grandes bulles, on \u00e9prouve le choc esth\u00e9tique de Meltzer et la question que Meltzer pr\u00eate au b\u00e9b\u00e9 \u00ab Est-ce aussi beau \u00e0 l\u2019int\u00e9rieur ? \u00bb re\u00e7oit une nouvelle r\u00e9ponse : \u00ab oui, c\u2019est m\u00eame encore plus beau \u00bb !<\/p>\n\n\n\n<p>L\u2019\u0153uvre suscite en m\u00eame temps un sentiment oc\u00e9anique d\u2019\u00e9lation et d\u2019inqui\u00e9tante \u00e9tranget\u00e9. D\u2019ailleurs on pr\u00e9vient le visiteur que l\u2019air est pressuris\u00e9 et que la visite est d\u00e9command\u00e9 aux femmes enceintes, aux b\u00e9b\u00e9s et personnes soufrant d\u2019insuffisance cardiaque. Dans l\u2019entr\u00e9e, bien visibles, des fauteuils roulants semblent pr\u00eats \u00e0 emporter ceux qui auraient d\u00e9failli. Comme quoi, on ne re-visite pas impun\u00e9ment l\u2019univers intra-ut\u00e9rin !<\/p>\n<div class=\"pdfprnt-buttons pdfprnt-buttons-post pdfprnt-bottom-right\"><a href=\"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/posts\/10087?print=pdf\" class=\"pdfprnt-button pdfprnt-button-pdf\" target=\"_blank\"><\/a><\/div>","protected":false},"excerpt":{"rendered":"<p>Anish Kapoor. Leviathan. Monumenta 2011, Grand Palais, du 11 mai au 23 juin 2011 Si vous voulez faire une exp\u00e9rience extraordinaire, allez au Grand Palais voir l\u2019installation L\u00e9viathan. Il faut y aller, car aucune photo ne peut en rendre compte&#8230;.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"rubrique":[1318],"thematique":[396],"auteur":[1391],"dossier":[],"mode":[61],"revue":[877],"type_article":[451],"check":[2023],"class_list":["post-10087","post","type-post","status-publish","format-standard","hentry","rubrique-exposition","thematique-art","auteur-simone-korff-sausse","mode-gratuit","revue-877","type_article-articles","check-ok"],"acf":[],"_links":{"self":[{"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/posts\/10087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/comments?post=10087"}],"version-history":[{"count":1,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/posts\/10087\/revisions"}],"predecessor-version":[{"id":16617,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/posts\/10087\/revisions\/16617"}],"wp:attachment":[{"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/media?parent=10087"}],"wp:term":[{"taxonomy":"rubrique","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/rubrique?post=10087"},{"taxonomy":"thematique","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/thematique?post=10087"},{"taxonomy":"auteur","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/auteur?post=10087"},{"taxonomy":"dossier","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/dossier?post=10087"},{"taxonomy":"mode","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/mode?post=10087"},{"taxonomy":"revue","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/revue?post=10087"},{"taxonomy":"type_article","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/type_article?post=10087"},{"taxonomy":"check","embeddable":true,"href":"http:\/\/cp.1642.studio\/gj118060-ovh\/wp-json\/wp\/v2\/check?post=10087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}